I am immensely grateful to her for entrusting us with this unique and beautiful gallery. It is housed in the former Galleria Il Capricorno, first opened in 1971 by my friend the legendary gallerist Bruna Aickelin who championed the very best contemporary art over the past five decades. The Venice gallery is in the San Marco district of the city. When he handed over the keys he said: “You’ll never make a contemporary art gallery work in the UK.” Talk to us about the space you chose for your gallery and its location. I took over the space from Robert Fraser who, tragically, was dying of Aids. My passion then shifted from producing to promoting art and I opened my first permanent gallery in Cork Street in 1985. I attended Slade School of Fine Art, so for a time my passion was bound up with the excitement of making art. Courtesy of the artist.I was passionate about art from a young age. As you see these works interact with each other in this online space, we become privy to the tender thoughts of women looking at men. The software used, “which never been used in the industry,” creates the illusion of walking through the show yourself. Courtesy of the artist and Victoria Miro.Īnd as we all adjust to this virtual world, Victoria Miro Gallery set up an experience through Vortic, a virtual art platform, to display a rendition of their gallery space in London with the works in this show. Collage with Japanese paper, charcoal, colored pencils and watercolor paint on canvas. © María Berrío. The gallery describes this as “how differences might be bridged by a shared understanding of consciousness – what it means to see and be seen.” The prompt offers viewers to experience a different connection between the artist and the sitter. The works capture the complexity of what being a woman means to the artists, all the while imprinting that reality onto the figure of a man, like Joffe or Ball, or multiple men, like Makinson or Hwami. Courtesy of the artist and Victoria Miro. Highlighting their process, their achievements, their various backgrounds, and what being a woman means to them, this amalgam of works captures differing power dynamics across genders, races, ages, and cultures. Rather than just release an overarching statement about the show and say that’s that, the gallery took the time to include notes on each of the women. Is it enough to just be seen? Victoria Miro Gallery thinks not. There have always been female artists equal to and often surpassing their male contemporaries, but where is their platform? Why are female artists often so overlooked? This show seeks to enliven the excitement around female artists and does so by highlighting not only their incredible works, but their voices as well through detailed descriptions of each artist accompanying their work.Ĭelia Paul. Courtesy of the artist and Fabian Lang Gallery, Zurich. Victoria Miro Gallery recognizes the discrepancy between traditionalist perspectives and what the current discourse of the art world is demanding. Men as well, but of course, they’re on majestic horses or standing tall boasting the extravagance of their wealth. Women have been the subject of countless works of art throughout history, mostly seen in the nude.
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